Dhammasangani

Tipitaka >> Abhidhamma Pitaka

Abhidhamma
The term 'abhidhamma' can be rendered literally as higher or special teaching of the Buddha. Abhidhamma is in fact a profounder treatment of the Teaching of the Buddha, dealing with ultimate realities, namely, mind (citta), mental concomitants (cetasika), matter or Corporeality (rupa), and Nibbana. Of these four, the first three are compounded and conditioned. Nibbana is the only ultimate reality which is uncompounded and unconditioned. In this book, 'mind' and 'consciousness' are both used for citta. The term ' consciousness ' includes both citta and cetasikas, i.e., mind (or consciousness) and mental concomitants.

The Buddha expounded his teachings with only one object, mainly, the attainment of Nibbana. But the presentation varies according to varying occasions and circumstances. in Suttanta discourses the Buddha takes into consideration the intellectual level of his audience and teaches the dhamma in conventional terms, making reference to peoples and objects such as I, we, he, she, man, women, cow, tree, etc. But in Abhidhamma, the Buddha makes no such concessions; he treats the dhamma entirely in terms of ultimate realities. He analyses every phenomenon into its ultimate constituents. All relative concepts such as man, mountain. etc., are reduced to their ultimate elements which are then precisely defined, classified, and systematically arranged.

Thus in Abhidhamma, compounded and conditioned things arc expressed in terms of khandhas, mental and physical aggregates, ayatanas, sense-bases; dhatus, elements; indriya, faculties; sacca, fundamental truths and so on. Things denoted by conventional terms such as man, woman, etc., are resolved into ultimate components of khandhas, ayatanas, etc., and viewed as impersonal mental and physical phenomena, which are conditioned by various factors and are impermanent (anicca), subject to suffering (dukkha), and without an entity (anatta).

Having resolved all phenomena into ultimate components analytically in Dhammasangani and Vibhanga, Abhidhamma defines the conditional relations between the various constituent factors in Patthana, the last of its seven treatises. Thus Abhidhamma forms a gigantic edifice of knowledge relating to the ultimate realities which, in its immensity of scope, grandeur, subtlety, and profundity can be properly expounded only by the Buddha.

It is true that the Suttanta Pitaka also contains discourses dealing with analytical descriptions and conditional relations of the five mental and physical aggregates. Where the need arises, subjects such as the five aggregates, sense-bases, etc., are mentioned in the suttas. But they are explained only briefly by what is known as the Suttanta Method of Analysis (Suttanta bhajaniya), giving bare definitions with limited descriptions. For example, khandhas, the five mental and physical aggregates, are enumerated as the aggregate of corporeality, the aggregate of sensation, the aggregate of perception, the aggregate of volitional activities, and the aggregate of consciousness. They may be dealt with somewhat more comprehensively; for instance, the aggregate of corporeality may be further defined as the corporeality of the past, the present or the future; the corporeality which is internal or external, coarse or fine, inferior or superior, far or near. The Suttanta Analysis does not usually go further than this.

But the Abhidhamma approach is more thorough, more penetrating, describing each corporeal or mental phenomenon in ultimate terms. For example, in the summarised presentation of the Abhidhamma known as Abhidhammatha Sangaha, compiled in Sri Lanka in the fifth century A.D. by the Venerable Anuruddha, consciousness is described as consisting of 89 kinds, mental concomitants as consisting of 52 kinds, corporeality as consisting of 28 kinds, and Nibbana as the single uncompounded clement (asankhata dhatu). According to the Abhidhamma Method of Analysis (Abhidhamma bhajaniya), each description can be amplified much further.

The Seven Books of Abhidhamma
<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Abhidhamma Pitaka is made up of seven treatises:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) The Dhammasangani contains detailed enumeration of all phenomena. The second part of this introduction gives a more detailed description of it.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Vibhanga  consists of eighteen separate sections which give a detailed analysis of phenomena quite distinct from that of Dhammasangani.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Dhatukatha is a treatise which studies the dhammas analysed in Dhammasahgani and Vibhanga, in fourteen ways of analytical investigation.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Puggalapannatti means the designation of individuals. In the first three books of Abhidhamma conventional terms are used to denote ultimate realities. Here in this book conventional terms are used not only to denote ultimate realities but also to denote things which do not exist in an ultimate sense. This is because the use of conventional terms is necessary for human communication.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(v) Kathavatthu is a series of dialectical discussions between the proponents of the orthodox Theravada school and those of the dissentient schools. For instance, One of the controversies involves arguments whether there are or there are not separate entities which may be termed individuals in a real sense. This involves a distinction between the truth of conventional usage (samuti sacca) and the truth of ultimate realities (paramattha sacca). Both the orthodox school and the dissentient schools quote from the Pali Canon in support of their opinions. The views of the dissentient schools were refuted. These discussions with final refutations were recited at the Third Buddhist Synod as part of the Abhidhamma Pitaka. The treatise uses the method of exposition as laid down by the Buddha in anticipation of the controversies that would arise and so it is accepted as expounded by the Buddha.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(vi) Yamaka is a treatise which deals with ten subjects such as khandhas, ayatanas, dhatus. The method of treating these subjects is by means of questions in pairs such as questions m straight order and reverse order, questions of positive type and negative type. The main object of this treatise is to show inter-relationship between the three lokas (worlds), namely, satta loka (the world of beings), okasa loka (the 31 planes of existence) and sankharaloka (the world of conditioned) phenomena such as physical and mental aggregates sense-bases, elements.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(vii) Pathana' 'deals exhaustively with the conditions which help bring about the arising of physical and mental phenomena. There are 24 such conditional relations which are expounded by way of tikas (triads) and dukas (dyads) as shown in Dhammasangani. The exposition is done in so comprehensive and detailed a manner that the book is called Mahapakarana, the Great Treatise.

<span style="font-size:13.5pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Tradition Regarding Exposition of Abhidhamma
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">According to tradition, the Buddha ascended to the Tavatimsa deva realm and expounded the Abhidhamma to an audience of devas which included the deva who in his previous life had been Queen Maya, the mother of the Buddha. In the human world the Buddha taught Abhidhamma to his Chief Disciple the Venerable Sariputta in a summarised form. The Venerable Sariputta taught what he had learnt from the Buddha to his 500 disciples. The Abhidhamma which we have now is in the form arranged by the Venerable Sariputta.

<span style="font-size: 13.5pt; font-family: "Times New Roman","serif"; color: rgb(128, 0, 64);">The Dhammasangani
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Dhammasangani is the title given to the first book of the Abhidhamma Pitaka. The Pali word dhamma varies in meaning according to context; here as part of the term dhammasangani, dhamma means ultimate realities. Sangani means collecting together or complete enumeration. Thus Dhammasangani deals with collecting and enumerating the ultimate realities by the method of triads (tikas) and dyads (duka) as set out in its Matika. For instance, in such a phrase as 'kusala dhamma' or 'akusala dhamma', or abyakata dhamma' which occurs in the Dhammasangani, the word dhamma means ultimate realities.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:13.5pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"; color:blue">The Matika 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Dhammasangani begins with the Matika which is a list of subjects for analytical treatment in the text and grouped in triads and dyads. There are twenty-two ways of grouping the dhamma (ultimate realities) into triads (tikas) and a hundred ways of grouping it into dyads (dukas). Each triad consists of three categories which are related in some way and each dyad consists of two categories which also are related in some way.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Examples of triads:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) Kusala Tika

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Dhammas that are meritorious, kusala dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Dhammas that are demeritorious, akusala dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Dhammas that are neither meritorious nor demeritorious, abyakata dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) Vedana Tika

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Dhammas that are associated with pleasant sensation, sukhaya vedanaya sampayutta dhamma.</

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Dhammas that are associated with unpleasant sensation, dukkhaya vedanaya sampayutta dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Dhammas that are associated with sensation which is neither pleasant nor unpleasant, adukkha masukhaya vedanaya sampayutta dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) Vipaka Tika

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Dhammas that are resultants, vipaka dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Dhammas that produce resultants, vipaka dhamma dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Dhammas that are neither resultants nor resultants producing, nevavipaka na-vipaka dhamma dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">An example of dyads:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Hetu Duka

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Dhammas that are root causes of phenomena, hetu dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Dhammas that are not root causes, na hetu dhamma

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman""> Note:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">There are six dukas which have a common factor, namely, hetu and which are put into a larger group or cluster called hetu gocchaka. There are altogether ten such large groups called gocchakas, each containing dukas which have a common factor.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Besides these, there are three separate groups of dukas where the dukas are not inter-related. These three groups are not called gocchakas.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Dhammasangani Matika is the key to the Abhidhamma method of exposition..

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In addition to the above Abhidhamma Matika, there is a list of 42 categories of dhamma entitled Suttantika Duka Matika. This Matika consists of dyads which can be traced to the Suttanta Pitaka. According to the Atthasalini Commentary, this was added by the Venerable Thera Sariputta in order to facilitate the study of Suttanta Pitaka.

<span style="font-size:13.5pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"; color:blue">The Four Divisions, Kandas
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Dhammasangani is divided into four divisions:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Cittupada Kanda, Division on Mind and Mental Concomitants. This division may be regarded as Book I of Dhammasangani.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Rupa Kanda, Division Concerning Corporeality. This division may be regarded as Book II of Dhammasangani.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Nikkhepa Kanda, Division of Summarised Analytical Statements about all the tikas and the dukas without elaborate treatment. This division may be regarded as Book III of Dhammasangani.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Atthakatha Kanda is a very short division but it is very important because it contains additional explanation of certain terms, by means of enumeration. This division may be regarded as Book IV of Dhammasangani.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Of the four divisions, the first two, namely, Cittuppada Kanda and Rupa Kanda, provide a full analysis of the first tika, namely, the Kusala Tika dealing with Kusala, Akusala and Abyakata Dhamma. They also serve as a basis for the analysis of the dhamma in the other tikas as well as the dukas.

<h2 style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:13.5pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Cittuppada Kanda 

<h2 style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Division on Mind and Mental Concomitants 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Division on Mind and Mental Concomitants is expounded in three parts in accordance with the kusala tika of the Matika, namely:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">(a) Kusala Dhamma, Categories of Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">(b) Akusala Dhamma, Categories of Demeritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) Abyakata Dhamma, Categories of Consciousness not Classified as Meritorious or Demeritorious.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In these three parts, meritorious consciousnessis shown in relation to the various spheres of existence.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(A) Meritorious consciousness pertaining to the Sensuous Sphere.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(B) Meritorious consciousness pertaining to the Fine Material Sphere.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(C) Meritorious consciousnesspertaining to the Non-material Sphere.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(D) Modes of meritorious consciousness which lead to three grades of existence in the respective spheres.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(E) Meritorious consciousness that leads to liberation from the three spheres of existence.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">A: Meritorious Citta Pertaining to the Sensuous Sphere 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">Of the above five kinds of meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">, meritorious consciousness that leads to rebirth in the Sensuous Sphere is categorised into eight types of meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">, such as the First Category of Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">, the Second Category, up to the Eighth Category although the categories after the First Category are treated very briefly. The eight categories of meritorious consciousness are expounded in a pattern which consists of three sections or portions, namely, section on definition of dhamma factors; section containing grouping, classification and enumeration of dhamma factors; and section on Voidness.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Section on Definition of Dhamma Factors
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">The dhamma factors which constitute the first Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman""> Consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">, numbering fifty-six, are first listed and then defined in the section on the definition of dhamma factors. Of these,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">18 dhamma factors occur only once in the list;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">7 dhamma factors occur twice;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1 dhamma factor occurs 3 times;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">2 dhamma factors occur 4 times;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1 dhamma factor occurs 6 times;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1 dhamma factor occurs 7 times;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Thus the list in this section in reality consists of only 30 dhamma factors.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) The 1 8 dhamma factors which occur only once in the list are:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1. phassa, contact;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">2. sanna, perception;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">3. cetana, volition;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">4. vicara, sustained application of the mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">5. piti, delightful satisfaction;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">6. jivitindriya, faculty of vitality;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">7. kaya passaddhi, equanimity of mental concomitants

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">8. citta passaddhi, serenity of mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">9. kaya lahuta, quickness of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">10. citta lahuta, quickness of mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">11. kaya muduta, malleability of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">12. citta muduta, malleability of mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">13. kaya kammannata, preparedness (for good action) of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">14. citta kammannata, preparedness (for good action) of mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">15. kaya pagunnata, soundness of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">16. citta pagunnata, soundness of mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">17. kayujukata, rectitude of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">18. cittujukata, rectitude of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The dhamma factors which occur more than once, occur either in a modified

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) The 7 dhamma factors each of which occurs twice in the list are:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1. Citta (mind), as citta (mind) and as manindriya (faculty of mind).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">2. Vitakka (initial application of mind), as vitakka (initial application of mind) and as samma sankappa (Right Thinking).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">3. Saddha (conviction), as saddhindriya (faculty of conviction) and as saddhabala (power of conviction).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">4. Hiri, being ashamed (to do evil), as hiri, being ashamed (to do evil) and as hiribala, power of being ashamed (to do evil).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">5. Ottappa, fear (to do evil), as ottappa, fear (to do evil) and as ottappabala, power of fear (to do evil).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">6. Alobha (non-greed), as alobha (non-greed) and as anabhijjha (non-covetousness).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">7. Adosa (non-hatred), as adosa(non-hatred) and as abyapada (not having ill will).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) One dhamma factor which occurs 3 times in the list:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Vedana (sensation), as vedana (sensation), as sukha (happiness), and as somanassindriya (faculty of mental pleasantness).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(d) The 2 dhamma factors each of which occurs 4 times in the list are:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1. Viriya (endeavour), as viriyindriya (faculty of endeavour), as sammavayama (Right Effort), as viriyabala (power of endeavour) and as paggaha (endeavour).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">2. Sati (mindfulness), as satindriya (faculty of mindfulness), as sammasati (Right Mindfulness), as satibala (power of mindfulness) and as sati (mindfulness).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">One dhamma factor which occurs 6 times in the list:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Samadhi (concentration), as samatha (calm or tranquillity of mind), as cittassekaggata (one pointedness of mind), as samadhindriya (faculty of concentration), as samadhibala (power of concentration), as samma samadhi (Right Concentration) and as avikkhepa (non-distraction).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(f) One dhamma factor which occurs 7 times in the list:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Panna (wisdom), as pannindriya (faculty of wisdom), as sammaditthi (Right View as a constituent of the Ariya Path), as pannabala (Power of Wisdom), as amoha (non-bewilderment), as sammaditthi (Right View as a mental factor for good action), as sampajanna (clear comprehension) and as vipassana (insight).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">This section on the definition of the dhamma factors contains two sub-sections which are termed (i) Exposition in Brief and (ii) Detailed Exposition.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Exposition in Brief is made up of the following seventeen groups of dhamma factors:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1. Group of five headed by Phassa:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Phassa, contact;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Vedana, sensation;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sanna, perception;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Cetana, volition;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">Citta, <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">2. Five Jhana factors:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Vitakka, initial application of the mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Vicara, sustained application of the mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Piti, delightful satisfaction;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sukha, bliss or happiness;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Cittassekaggata, one-pointedness of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">3. Eight Faculties:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Saddhindriya, faculty of conviction;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Viriyindriya, faculty of endeavour;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Satindriya, faculty of mindfulness;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Samadhindriya, faculty of concentration;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Pannindriya, faculty of wisdom;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Manindriya, faculty of mind;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Somanassindriya, faculty of mental pleasantness;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Jivitindriya, faculty of vitality.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">4. Five Constituents of the Ariya Path:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sammaditthi, Right View;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sammasankappa, Right Thinking;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sammavayama, Right Effort;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sammasati, Right Mindfulness;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sammasamadhi, Right Concentration.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">5. Seven Powers:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Saddhahala, power of conviction;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Viriyabala, power of endeavour;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Satibala, power of mindfulness;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Samadhibala, power of concentration;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Pannabala, power of wisdom;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Hiribala, power of being ashamed (to do evil);

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Ottappabala, power of fear (to do evil).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">6. Three Root Causes:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Alobha, non-greed;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Adosa, non-hatred;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Amoha, non-bewilderment.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">7. Three mental factors for good actions:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Anabhijjha, non-covetousness;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Abyapada, not having illwill;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sammaditthi, right view.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">8. Two mental factors safeguarding the world:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Hiri, being ashamed (to do evil);

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Ottappa, fear (to do evil).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">9. Two factors of serenity:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Kayapassaddhi,serenityofmentaI concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Citta passaddhi, serenity of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">l0. Two forms of quickness:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Kaya lahuta, quickness of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Citta lahuta, quickness of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">11. Two forms of malleability:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Kaya muduta, malleability of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Citta muduta, malleability of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">12. Two forms of preparedness:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Kaya kammannata, preparedness (for good action) of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Citta kammannata, preparedness (for good action) of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">13. Two forms of soundness:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">kaya pagunnata, soundness of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Citta pagunnata, soundness of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">14. Two forms of rectitude:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Kayujukata, rectitude of mental concomitants;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Cittujukata, rectitude of mind.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">15. Sati, mindfulness and Sampajanna, clear comprehension.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">16. Mental cultivation:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Samatha, cultivation of calm;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Vipassana, development of insight.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">17. Two forms of mental discipline:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Paggaha, endeavour;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Avikkhepa, non-distraction (of concentration).

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Section Containing Grouping, Classification and Enumeration of Dhamma Factors
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The dhamma factors set out and defined in the first section are again grouped, classified or characterised and enumerated under twenty-three headings, such as Khandhas and Ayatanas. For instance,, in this section only four Mental Aggregates are listed and explained. This section containing grouping, classification and enumeration of the dhamma factors which constitute the First Meritorious Consciusness is expressed in three ways, namely, exposition in brief, detailed exposition and additional explanation.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Section on Voidness
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">This section makes clear that the dhamma factors are merely phenomena which arise because of the conjunction of cause and effect and they are subject to the law of impermanence and thus are utterly void of atta (individual entity, or Self, or Soul, or Ego). When this dhamma factor of voidness is added as another heading to the twenty-three headings mentioned in the section above, there are twenty-four headings in this section on voidness.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Further Comments on the Enumeration of Mental Factors
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">It has been said above that fifty-six dhamma factor constitute the First Category of Meritorious Consciousness. There are two points to be made here. The first is that in the seventeen groups of dhamma factors mentioned above, the first group of dhamma factors, namely, the group of five dhamma factors headed by contact, is the most proximate cause for the arising of the meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">; the second group which consists of the five factors of the first jhana is the most proximate cause for arising of the first group headed by contact. and so it goes on step by step till the seventeenth group. However, this is only an analytical view. The actual fact is that there are thirty dhamma factors occurring as fifty-six items in the complete list and these arise simultaneously.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The second point to be made is that besides those fifty-six dhamma factors, there are also nine dhamma factors which may occur, wherever appropriate on the occasion of the arising of those fifty-six dhamma factors, thereby making up a total of sixty-five dhamma factors. These nine are denoted, by 'yevapana...dhamma in Pali.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">They are:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">1. Chanda - Desire

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">2. Adhimokkha - Decision, Choice

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">3. Manasikara - Attention

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">4. Tatramajjhattata - Balance of mind, Equanimity

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">5. Karuna - Compassion

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">6. Mudita - Sympathetic joy

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">7. Sammavaca - Abstinence from evil speech

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">8. Sammakammanta - Abstinence from evil action

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">9. Samma-ajiva - Abstinence from evil livelihood

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">We have mentioned in the section on the definition of dhamma factors that, actually, there are only thirty dhamma factors. If we exclude the dhamma factor of mind from this list we get twenty-nine dhamma factors which are called cetasikas (mental concomitants), These twenty-nine mental concomitants together with the nine yevapanaka mental concomitants mentioned above constitute the thirty-eight meritorious mental concomitants that arise in the Sensuous Sphere.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In addition to these, there are fourteen demeritorious mental concomitants, and when these fourteen are added to the thirty-eight above, we have altogether fifty-two mental concomitants, as mentioned in the Abhidhammattha Sangaha, a compendium of the Abhidhamma.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">B: Meritorious Consciusness Pertaining to the Fine Material Sphere
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Having dealt with the eight categories of Meritorious Consciusness pertaining to the Sensuous Sphere, the Dhammasangani deals with the Meritorious Consciousness pertaining to the Fine Material Sphere which in fact is jhana; the subject is dealt with under five main heads.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Kasina Jhana, mental absorption resulting from intense concentration on a meditation device known as kasina.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) A bhibbayatana Jhana, mental absorption resulting from mastery over object of concentration.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Vimokkha Jhana, mental absorption resulting from complete freedom from nivaranas or hindrances, as long as the jhana lasts,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Brahmavihara Jhana, mental absorption resulting from development and diffusion of Goodwill, Compassion, Sympathetic Joy and Equanimity.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(v) Asubha Jhana, mental absorption) resulting from intensive concentration on foulness of the dead body.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Kasina Jhana

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Of these five main heads, Kasina Jhana is further analysed as follows:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) Kasina Jhana resulting from contemplation of the Earth element, Pathavi kasina

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) Kasina Jhana resulting from contemplation of the Water element, Apo kasina.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) Kasina Jhana resulting from contemplation of the Fire element, Tejo kasina.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(d) Kasina Jhana resulting from contemplation of the Wind element, Vayo kasina

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(e) Kasina Jhana resulting from contemplation of the Blue colour, Nila kasina

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(f) Kasina Jhana resulting from contemplation of the Yellow colour, Pita kasina.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(g) Kasina Jhana resulting' from contemplation of the Red colour, Lohita kasina.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(h) Kasina Jhana resulting from contemplation of the White colour, Odata kasina.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The object of the contemplation of the Kasinas is to attain jhana, mental absorption. There are five factors of jhana, viz., vitakka (initial application of the mind), vicara (sustained application of the mind),piti (delightful satisfaction), sukha (bliss) and ekaggakata (one-pointedness of mind). Depending on what factors are eliminated at each stage, the jhanas can be classified into two categories, i.e., the four-stage category and the five-stage category. In both categories, the first jhana has all five jhana factors. In the five-stage category, the factors of jhana are eliminated one at each stage starting from the second stage. In the four-stage category, the first two factors, vitakka and vicara, are eliminated in the second stage. In both categories, sukha is replaced by upekkha (equanimity) in the last stage.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Four Modes of Endeavour in Jhana Practice
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">A jhana can be attained through one or other of four modes of endeavour. By which mode a person attains jhana depends on the degree of accumulation of experience and practice in developing jhana in previous existences and on the basic mental and moral level of the particular individual.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">These four modes are:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Jhana attained by difficult practice (dukkha patipada) and by slow acquisition of special understanding (dandhabhinna).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Jhana attained by difficult practice (dukkha patipada) and by swift acquisition of special understanding (khippabhinna).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Jhana attained by facile practice(sukkhapatipada) and slow acquisition of special understanding (dandhabhinna).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Jhana attained by facile practice(sukkhapatipada) and by swift acquisition of special understanding (khippabhinna).

==<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Four Kinds of Jhana Practice Differing in Degree of Sufficiency in Practice and in the Size of the Object of Concentration == <p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">There is another set of four ways of jhana practice:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Jhana with insufficient practice (paritta) for attainment of a higher jhana and with an object of concentration of limited size (paritta rammana).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Jhana with insufficient practice (paritta) for attainment of a higher jhana and with an object of concentration of unlimited size (appamanarammana).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Jhana with sufficient practice (appamana) fir attainment of a higher jhana and with an object of concentration of limited size (paritta rammana).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Jhana with sufficient practice (appamana) for attainment of a higher jhana and with an object of concentration of unlimited size (appamanarammana).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">A jhana can be attained through any one of sixteen possible combinations resulting from the above two categories of jhana practice, namely, that based on mode of endeavour and that based op object of concentration.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Abhibhayatana Jhana and Vimokkha Jhana
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Of the Five kinds of jhana mentioned above, Kasina jhana, Abhibhayatana jhana and Vimokkha jhana are different names given to the same rupavacara jhana which pertains to the Fine Material Sphere. The difference in names is due to the difference in circumstances of attainment, difference in object of concentration, and difference in characteristics. Thus, for example, a Pathavi kasina jhana is attained by contemplating the earth device, which represents as a whole, in its entirety, the Earth element. Abhibhayatana jhana is so called because of its mastery over the object of concentration. In Vimokkha jhana, complete release from defilements takes place in a distinct manner as long as the jhana lasts.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Brahmavihara Jhana 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">It is mental absorption resulting from development and diffusion of Goodwill, Compassion, Sympathetic Joy, and Equanimity.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Asubha Jhana

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">It is mental absorption resulting from contemplation of ten repulsive objects.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">But all these jhanas are uniformly characterised by the same jhana factors, viz., vitakka, vicara, piti, sukha and ekaggata.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Five Factors of the First Jhana

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The same fifty-six dhamma factors that constitute the Meritorious Consciousness pertaining to the Sensuous Sphere can be found in the Meritorious Consciousness pertaining to the Fine Material Sphere.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Of these fifty-six dhamma factors, five factors play an essential role in the development of the first jhana. These five factors are: vitakka vicara, piti, sukha and ekaggata.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Vitakka - Initial application of the mind on the object of attention, such as an earth device. It keeps the mind from wandering about by repeatedly directing the mind on the object of attention. It is opposed to and eliminates the hindrances of sloth and torpor (thina middha). It is the precursor of vicara.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Vicara - Sustained application of the mind. It keeps the mind steadfastly on the object of meditation. Vicara is Opposed to and eliminates the hindrance of uncertainty (vicikiccha)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Piti - Delightful satisfaction. It helps the meditator to take interest and find delight in the object of meditation and to be satisfied with it. Piti is the opposite of antipathy (byapada) and eliminates it. It is the precursor of sukha.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Sukha - Bliss or happiness. It is a kind of pleasant feeling. It is free from restlessness ( uddhaca) and worry ( kukkucca ) and helps develop concentration.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Ekaggata - One-pointedness of mind. It is also known as samadhi, concentration. By keeping the mind firmly fixed on the object of meditation, it keeps away all sense-desire (kamacchanda). Ekaggata is opposed to and eliminates all sense-desire which cause excitement and agitation. Thus these five factors play an essential role in the attainment of jhana.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">C: Meritorious Consciousness Pertaining to the Non-material Sphere
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Meritorious Consciousness pertaining to the Non-material Sphere consists of the following four jhanas:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Akasanancayatana Jhana, mental absorption in the concept 'Space is Infinite'

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Vinnanancayatana Jhana, mental absorption in the concept 'Consciousness is Infinite'.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Akincannayatana Jhana, mental absorption in the concept 'Nothing is there'

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Nevasannanasannayatana Jhana, the jhana of neither Consciousness nor Non-consciousness.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) The yogi who is already established in the final stage of the Rupa Jhana can develop the first Arupa Jhana, if he wishes. At first he concentrates on the mental image of the kasina object which is the object of concentration he has had previously. Finally it is discarded and is replaced by space. He now concentrates on the concept 'Space is Infinite', this first Arupa Jhana is known as Akasanancayatana Jhana

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) To develop the Second Arupa Jhana, the yogi takes the first Arupa Jhana consciousness as the object of concentration. As the object of the first Arupa Jhana consciousness is the concept 'Space is Infinite', this first Arupa Jhana consciousness is also infinite. The second Arupa Jhana is attained by concentrating on the concept 'Consciousness is Infinite'. This is called Vinnanancayatana Jhana.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) In Progressing to the third Arupa Jhana, the first Arupa Jhana Consciousness which has served as an object of concentration for the second Arupa Jhana has to be given up. Then, since even this first Arupa Jhana consciousness does not exist any more the concept of nothingness appears. This concept 'Nothing is there' is the object of concentration of this third Arupa Jhana known as Akincannayatana Jhana.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) To reach the fourth Arupa Jhana, the concept 'Nothing is there' has to be given up. Then, since there is no other object of concentration, the third Arupa Jhana consciousness has to be taken as the object of concentration. Passing completely beyond the state of Nothingness, and concentrating on the third Arupa Jhana consciousness, the fourth Arupa Jhana is so subtle and refined that it is not easy to say whether there is consciousness or there is no consciousness. Hence this final stage of Arupa Jhana is termed Nevasannanasannayatana Jhana, the jhana of 'Neither Consciousness nor Non-Consciousness'.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the case of the four Rupa Jhanas, the five jhana factors of vitakka, vicara, piti, sukha and ekaggata are reduced in each successive stage; they thus differ from one another according to the number of jhana factors that accompany them. But the four Arupa Jhanas differ according to the object of concentration. The first and the third Arupa Jhanas have two pannatti (concepts) as their object: the concept of lnfinity of Space and the concept of Nothingness. The second and the fourth Arupa Jhana consciousness have the first and the third Jhana consciousness respectively as their object.

==<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">D: Modes of Meritorious Consciousness that Lead to Different Levels of Life in any Plane in the Three Spheres of Existence == <p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">Besides the classification into kinds of Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">pertaining to the Sensuous Sphere or to the Fine Material Sphere or to the Non-material Sphere, there is a further classification of different modes of Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">which cause rebirth in different levels in any plane of existence in the three spheres,viz., the Sensuous Sphere, the Fine Material Sphere or the Non-material Sphere. This Meritorious Consciousness has the short technical name of "Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Pertaining to the Three Spheres of Existence" (tebhumaka)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">This Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">is classified into three modes, namely Inferior class Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">, Medium class Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">and Superior class Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size: 12pt; font-family: "Times New Roman","serif";">. This can be paraphrased into "Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Which has inferior results or medium results or superior results such as being born into a low level or a medium level or a superior level of life in a future existence."

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">The reason why there are these three different classes of results of a meritorious act, which on the surface is the same meritorious act, is to be found in the quality (i.e., strength or weakness) of the four dominant mental factors which accompany the meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">. The four are:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) desire which is the dominant element of the meritorious consciousness during the performance of a meritorious act;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) effort which is the dominant element of the meritorious consciousness during the performance of a meritorious act;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) consciousness which is the dominant element of the meritorious consciousness during the performance of a meritorious act; and

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(d) investigative knowledge which is the dominant element of the meritorious consciousness during the performance of a meritorious act.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">Thus, in the case of a meritorious consciousness pertaining to the Sensuous Sphere, or the Fine Material Sphere, or the Non-material Sphere, if the dominant element involved in the exercise of that <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">, whether it is desire or effort or consciousness or investigative knowledge, is inferior, or medium, or superior in terms of strength or weakness, the meritorious consciousness is of an inferior kind or of a medium kind or of a superior kind, having different effects.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">This means that even if a meritorious consciousness eads to rebirth in the human plane, the person reborn may be born into low or inferior circumstances or level of life, or into moderate circumstances or into superior circumstances of life. The same holds true of meritorious consciusness pertaining to the Fine Material Sphere or to the Non-material Sphere. One may become a deva or a Brahma with an inferior status or a moderate status or a high status.

==<span style="font-size: 12pt; font-family: "Times New Roman","serif";">E: Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness that Leads to Liberation from the Three Spheres of Existence == <p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size: 12pt; font-family: "Times New Roman","serif";">Lokuttara kusala citta, Supramundane Meritorious <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Consciousness <span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">, is associated with Magga nana which enables beings to escape from the three spheres of existence.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Arising of Magga Nana

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">When the mind becomes calm and collected, and firmly fixed on the khandha aggregates, there gradually arises a penetrating insight into the real nature of the complex of khandha aggregates. The reality is that this complex is constituted only of nama and rupa, which are mere mental and physical phenomena ceaselessly rising and disappearing, constantly in a state of flux. On discerning thus, there arises the realization of the insubstantiality the voidness, and the non-self nature of the complex of khandha aggregates and that there is nothing attractive or pleasing about it.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Repeated contemplation of this real nature of the khanda aggregates results in the arising of intuitive knowledge that the aggregates of nama and rupa represent the embodiment of dukkha which no divine power is able to remove or banish. The spark of knowledge of the Path of Right View, sammaditthi magga nana, flashes in the mind leading to the realization that it is foolish to strive for the welfare and happiness of this complex of khandha aggregates which is a mass of unalloyed dukkha. Then for the first time in the whole of the cycle of existence, attachment to ones own khandha aggregates is eradicated. This eradication of attachment to the khandha aggregates is termed the relinquishing of the wrong view of Personality or Self, sakkaya ditthi. In addition to sakkaya ditthi, all other akusala dhammas which tend to lead to the realm of misery and woe are also simultaneously eliminated by this Sotapatti magga nana.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The second stage, the Sakadagami magga nana, weaken sensuous desire and ill will. This magga nana also has the effect of weakening the remaining defilement; as well.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The third stage, namely, the Anagami magga nana completely roots out sensuous desire and ill will.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">This magga nana also has the effect of rooting out all the defilements that lead to the Sensuous Sphere.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The final stage, Arahatta magga nana, eradicates completely the remaining five defilements, viz., desire for the Fine Material Sphere, desire for the Non-material Sphere, conceit, restlessness and ignorance.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Just like a lamp that has exhausted its fuel, with the complete uprooting of all the defilements, there is no chance for the khandha aggregates to rise up again in a future existence. There is no more rebirth for an arahat.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">All the four stages of magga nana are characterised by the arising of penetrating knowledge of the Four Ariya Truths:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) The complex of the khandha aggregates is the embodiment of the Truth of dukkha, Dukkha Sacca.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Attachment to the complex of the khandha aggregates is the Truth of the origin of dukkha, Samudaya Sacca.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) The cessation of attachment to the khandha aggregates is the Truth of the cessation of dukkha, Nirodha Sacca.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) The four magga nanas that remove the attachment to the complex of the khandha aggregates are the Truth of the Path, Magga Sacca.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Lokuttara kusala citta is explained in the text in a variety of ways, first under the name of JHANA.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">This is shown in great elaboration. Further there are also nineteen other names such as Magga and Satipatthana under which this citta may be propounded in exactly the same manner of elaboration as under the name jhana. Although these nineteen further nomenclatures are not stated in full, they are to be understood in full as in the case of 'jhana'. Please see paras 277 to 356 of the text. It may be noted here that Lokuttara kusala citta is generally known under the name of Magga only, and the fact that it also goes under the name of Jhana or Satipatthana etc., is not widely known.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Division Concerning Corporeality
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Abyakata dhamma ( neither meritorious nor demeritorious dhamma) included vipaka (resultant), kiriya (non-causative action), rupa (Corporeality) and Nibbana. Out of these four dhammas only vipaka and kiriya are dealt with in the Cittuppada Kanda. Of the remaining two dhammas, Corporeality is dealt with in this division, Rupa Kanda.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Nibbana is left out from detailed consideration as it is unique by itself needing no analysis into sub-divisions.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Different Methods of Exposition of Corporeality

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">There are eleven methods of Exposition of Corporeality.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the first method, Corporeality is viewed as a whole and is described in forty-three expressions, each expression embodying a single characteristic.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the second method, Corporeality is viewed as being of two kinds, e.g.,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) dependent Corporeality,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) non-dependent Corporeality.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">There are 104 such sets.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the third method, Corporeality is viewed as being of three kinds, e.g.,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) Internal dependent Corporeality,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) External dependent Corporeality,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) External non- dependent Corporeality,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">There are 103 such sets.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the fourth method, Corporeality is viewed as being of four kinds, e.g.,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) Dependent Corporeality which is the result of a deed.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) Dependent Corporeality which is not the result of a deed,

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) Non-dependent Corporeality which is the result of a deed.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(d) Non-dependent Corporeality which is not the result of a deed.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">There are 22 such sets.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the fifth method, sixth method,. .. eleventh method, Corporeality is viewed as being of five kinds, of six kinds .... of eleven kinds respectively.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The number of different kinds of Corporeality as described above can be reduced to 27 by taking only one each of terms of identical nature. In the Abhidhammattha Sangaha 28 kinds of Corporeality are mentioned. But in the Dhammasahgani only 27 kinds of Corporeality are mentioned leaving out hadayavatthu.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Division of Summarised Analytical Statements
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Of the 22 tikas or triads, 100 dukas or dyads, and 42 Suttantika dukas as listed in the Matika the first two divisions Cittuppada Kanda and Rupa Kanda deal with one and only one category of the dhammas namely, the first tika of Kusala, Akusala and Abyakata dhammas. Cittuppada Kanda contains a thorough investigation into the nature, properties and functions of all mental phenomena that come under the headings of Kusala dhamma, Akusala dhamma and Abyakata dhamma; the Rupa Kanda is concerned with all physical phenomena or Corporeality under the heading of Abyakata dhamma.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Nikkhepa Kanda, the third division, avoids the elaborate treatment of the first two divisions. While it gives, not too elaborately nor too briefly, summarised analytical statements of all the tikas and dukas so that their contents and significance may become fully comprehensible when this division is read together with the previous two divisions.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In general, all the tikas and dukas are treated in a condensed manner under the following eight heads in this division:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Classification by way of roots (mula)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Classification by way of aggregates (khandha)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Classification by way of doors (dvara)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Classification by way of field of occurrence (bhumi)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(v) Classification by way of meaning (attha)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(vi) Classification by way of doctrinal interpretation. (dhamma)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(vii) Classification by way of nomenclature(nama)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(vii) Classification by way of grammatical gender (linga)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Of the first four, viz., mula, khandha, dvara and bhumi, only some apply to certain of the tikas and dukas, but not to all of them. The remaining four, viz., attha, dhamma, nama and linga, however, are applicable to all the tikas and dukas.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Some examples of classification under the eight heads in the Nikkhepa Kanda:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(i) Kusala Dhamma Summarised by Way of Roots (mula) 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Kusala dhamma included in the Kusala Tika are shown by way of roots as absence of greed (alobha), absence of hatred (adosa), absence of bewilderment (amoha). Thus, Kusala dhamma which have been so elaborately expounded in the Cittuppada Kanda are shown as originating from just these three roots. It follows that the practical method of developing Kusala Dhamma is to eradicate greed, to eradicate hatred, to eradicate ignorance.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(ii) Kusala Dhamma Summarised by Way of Aggregates (khandha) 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Further, it is explained in the text that Kusala dhamma are made up of the four mental aggregates, namely, the aggregate of Sensation (vedanakkhandha) the aggregate of Perception (sannakkhandha), the aggregate of Volitional Activities (sankharakkhandha) and the aggregate of consciousness (vinnanakkhandha). Thus the 21 kinds of Kusala citta and 38 kinds of mental concomitants explained in the Cittuppada Kanda are fully covered under this classification as follows:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) 21 Kusala citta (Aggregate of Consciousness)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) Vedana (Aggregate of Sensation)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) Sanna (Aggregate of Perception)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(d) the remaining 36 mental concomitants (Aggregate of Volitional Activities)

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">This second method deals not only with the roots from which the tree of Kusala Dhamma originates, but describes the whole tree.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iii) Kusala Dhamma Summarised by Way of Doors (dvara) 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The Kusala dhamma originating from the three roots, viz., alobha, adosa and amoha, are meritorious actions done through the media of the three doors, physical, verbal and mental. Therefore, 'Kusala dhamma' (meritorious, actions) is not just a technical term in the Pitaka text, but something which can arise out of what one actually does in one's daily life.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Although Nikkhepa Kanda is very brief compared to Cittuppada Kanda, it explains the terms of the Abhidhamma in such a way that a non-scholar can understand them. Just as a tree can be made known by describing its roots, its trunk, and its fruits, so the meaning of 'Kusala dhamma, meritorious actions, is made known by describing its roots (which stand for alobha, adosa, amoha), its trunk (which stands for mental aggregates) and its fruits (which stand for actions). 'Akusala dhamma' is also made known in the same way by describing its roots (which stand for lobha, dosa, moha), its trunk (which stand for mental aggregates), and its fruits (which stand for actions).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the case of Abyakata dhamma, Vipaka is classified as the Sensuous Sphere resultant, the Fine Material Sphere resultant, the Non-material Sphere resultant and the Supramundane Sphere resultant, and further classified as the four resultant mental aggregates; Kiriya is classified as non-causative action in the Sensuous Sphere, non-causative action in the Fine Material Sphere, and non-causative action in the Non- material Sphere, and further classified as the four non- causative aggregates. All Corporeality as well as Nibbana are in the Abyakata dhamma as they are neither meritorious nor demeritorious.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(iv) Vedana Tika Explained by Way of Field of Occurrence (bhumi) 

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The exposition of Vedana Tika, the triad of Sensation, which is not directly expounded in the Cittuppada Kanda and Rupa Kanda provides an example of classification by way of field of occurrence. Consciousness and mental concomitants, being the basis or the ground from which Sensation arises, are classified in this division according to the types of Sensation with which they are associated. Thus we have:

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(a) Sukha Bhumi, Consciousness and Mental Concomitants from which arises Pleasant Sensation

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(b) Dukkha Bhumi, Consciousness and Mental Concomitants from which arises Unpleasant Sensation;

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">(c) Adukkhamasuka Bhumi, Consciousness and Mental Concomitants from which arises Neither pleasant nor unpleasant Sensation.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The first type, Sukha Bhumi, is subdivided into Kamasukhabhumi (mental factors in the Sensuous Sphere which are associated with pleasure), Rupasukhabhumi (mental factors in the Fine Material Sphere which are associated with pleasure) and Lokuttarasukhabhumi (mental factors in the Supramundane Sphere which are associated with pleasure).

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">These types of Consciousness and Mental Concomitants are treated in this division only in a summary way, but they can be described more elaborately and fully following the pattern laid clown in the Cittuppada Kanda.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Dukkhabhumi, Consciousness and Mental Concomitants from which arises Unpleasant Sensation, is explained merely as Kamadukkhabhumi, which according to the Cittuppada Kanda means Consciousness and Mental Concomitants of the Sensuous Sphere accompanied by mental and physical suffering.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Adukkhamasukhabhumi, Consciousness and Mental Concomitants from which arises Neither-pleasant- nor-unpleasant Sensation, is subdivided into four categories: Kamaupekkhabhumi, Rupa-upekkhabhumi, Arupa upekkhabhumi, and Lokuttara-upekkhabhumi. Kamaupekkhabhumi means mental factors in the Sensuous Sphere which are associated with equanimity. Rupa-upekkhabhumi means mental factors of the Fifth Jhana of the Fine Material Sphere which are associated with equanimity. Arupa-upekkhabhumi means mental factors of the Fifth Jhana of the Non-material Sphere which are associated with equanimity. And Lokuttara upekkhabhumi means mental factors of the Fifth Supramundane Jhana which are associated with equanimity.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Division of Additional Elucidations
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the Matika of Dhammasangani there are 22 tikas, 100 dukas and 42 Suttantika dukas. Of these, the Kusala Tika, meritorious triad, is shown in detail in the Cittuppada Kanda and the Rupa Kanda. The other tikas and dukas together with the Kusala Tika are dealt with in a summarised way in the Nikkhepa Kanda. Thus the treatment of tikas and dukas can be said to be Complete in the first three divisions.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">But, merely indicating for instance as in the Nikkhepa Kanda, the meaning of tikas and dukas may not be sufficient for a full understanding of some tikas and dukas without enumeration in detail. The enumeration of mind, mental concomitants and Corporeality can be found in the Cittuppada Kanda and Rupa Kanda, but they are Spread throughout these divisions, Therefore it is not easy for the student to know the enumeration of the categories in each tika or duka. This enumeration is done for some of the important tikas and dukas in the Atthakatha Kanda.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">For instance, in the Nikkhepa Kanda, Consciousness and mental concomitants in Vedana Tika are treated collectively by way of bhumis (field of occurrence) or by way of khandhas (aggregates). But in the Atthakatha Kanda, we find that mental factors associated with pleasure, mental factors associated with mental and physical, suffering, and mental factors associated with equanimity are shown in detailed enumeration.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">In the same way the Nikkhepa Kanda deals with the mental factors of the Vitakka Tika collectively and they are explained by way of field of occurrence and by way of aggregates. In the Atthakatha Kanda, the Vitakka Tika is elucidated by detailed enumeration of the mental factors associated with vitakka (initial application of the mind) and vicara (sustained application of the mind), the mental factors not associated with vitakka but only associated with vicara, and the mental factors not associated with both vitakka and vicara.

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">The same may be said of the treatment of the Arammana Tika. The Nikkhepa Kanda provides only the bare definition for some of the categories contained in the classification of these tikas, without giving the elucidation and enumeration of the mental factors involved. The Atthakatha Kanda treats them more fully, giving an enumeration of the mental factors of Consciousness and mental concomitants that are involved in each case. For example, in dealing with the Parittarammana Tika, the mental factors involved in the categories of (a) Sensual things which are the objects of attention, (b) Sublime things which are the objects of attention, (c) Nibbana which is the object of attention are enumerated in the Atthakatha Kanda.

<span style="font-size:12.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Source
<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:13.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">http://www.nibbana.com/

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:13.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">Revised on-23-11-2011

<p style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-align:justify;line-height:normal"><span style="font-size:13.0pt; font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman""> http://dhamma.wikia.com/wiki/Dhammasangani